Skip to content Skip to sidebar Skip to footer
Home / Best of Museum of Floor 5 Modern Art and Map

Best of Museum of Floor 5 Modern Art and Map

Post a Comment
  • MoMA, Floor 5

Bundled in a loosely chronological order, each of the galleries on this floor explores an private topic. A gallery may be devoted to an artist, a specific medium or discipline, a particular identify in a moment in time or a shared creative idea. These presentations are conceived by teams of curators from all fields and at all levels of seniority collaborating closely to share expertise and viewpoints. An ongoing plan of frequent reinstallation volition feature a wide range of artworks in new combinations—a reminder that countless ideas and histories tin can exist explored through the Museum'southward rich drove.

The collection gallery presentation on floors 2, 4, and 5 is organized past Beverly Adams, Esther Adler, Sean Anderson, Quentin Bajac, Charlotte Barat, Barry Bergdoll, Giampaolo Bianconi, Anna Blaha, Charmaine Branch, River Bullock, Jane Cavalier, Sophie Cavoulacos, Christophe Cherix, Clément Chéroux, Stuart Comer, Emily Cushman, Arièle Dionne-Krosnick, Michelle Elligott, Starr Figura, Samantha Friedman, Paul Galloway, Lucy Gallun, Andrew Gardner, Lily Goldberg, Jennifer Harris, Jon Hendricks, Jodi Hauptman, Danielle Johnson, Anna Kats, Inés Katzenstein, Juliet Kinchin, Evangelos Kotsioris, Michelle Kuo, Thomas Lax, Tasha Lutek, Cara Manes, Roxana Marcoci, Sarah Meister, Lydia Mullin, Polish Nzewi, Heidi Hirschl Orley, Dana Ostrander, Erica Papernik-Shimizu, Paulina Pobocha, Christian Rattemeyer, Yasmil Raymond, Hillary Reder, Rajendra Roy, Magnus Schaefer, Brittany Shaw, Martino Stierli, Sarah Suzuki, Lanka Tattersall, Phil Taylor, Ann Temkin, Jennifer Tobias, Ana Torok, Madeline Murphy Turner, and Anne Umland.

  • Constantin Brancusi. Fish. Paris 1930. Blue-gray marble 21 x 71 x 5 1/2" (53.3 x 180.3 x 14 cm), on three-part pedestal of one marble 5 1/8" (13 cm) high, and two limestone cylinders 13" (33 cm) high and 11" (27.9 cm) high x 32 1/8" (81.5 cm) diameter at widest point, Acquired through the Lillie P. Bliss Bequest (by exchange). © Succession Brancusi - All rights reserved (ARS) 2018

    500

    Constantin Brancusi

    Ongoing

    Brancusi distills the essence of his subjects in wood, bronze, and stone.

  • Brassaï (Gyula Halász). Fireworks on the Night of Longchamp. 1936. Gelatin silver print, 19 5/8 × 15 15/16" (49.9 × 40.5 cm). David H. McAlpin Fund. © Estate Brassaï-RMN

    501

    Movement and Illumination

    New on view

    Through Fall 2022

    The camera captures—and creates—modernity.

  • Paul Cézanne. Still Life with Apples. 1895–98. Oil on canvas, 27 × 36 1/2" (68.6 × 92.7 cm). Lillie P. Bliss Collection. Digital Image © 2021 The Museum of Modern Art, New York. Photo: Jonathan Muzikar

    502

    Lillie P. Bliss

    A gift that keeps on giving.

  • Marie Laurencin. Self-Portrait (Autoportrait). 1906. Colored pencil and pencil on notebook paper, 7 7/8 × 5" (19.8 × 12.5 cm). Gift of Steven C. Rockefeller. © 2021 Artists Rights Society (ARS), New York/ADAGP, Paris

    503

    Picasso, Rousseau, and the Paris Advanced

    Ongoing

    Unexpected friendships and global influences spark art for a new century.

  • Ernst Ludwig Kirchner. Street, Dresden. 1908 (reworked 1919; dated on painting 1907). Oil on canvas, 59 1/4" x 6' 6 7/8" (150.5 x 200.4 cm) Purchase.

    504

    New Expression in Deutschland and Republic of austria

    Artists reply to modern life through colors, gestures, and course.

  • Hilma af Klint. The Large Figure Paintings, The WU/Rose Series, Group III No 5, The Key to All Work to Date. 1907. Oil on canvas, 59 1/16 × 46 7/16" (150 × 118 cm). Photo: Albin Dahlström

    505

    Circa 1913

    Trailblazers of abstraction create a new language for art.

  • Henri Matisse. Dance (I). 1909. Oil on canvas, 8' 6 1/2" × 12' 9 1/2" (259.7 × 390.1 cm). Gift of Nelson A. Rockefeller in honor of Alfred H. Barr, Jr. © 2019 Succession H. Matisse/Artists Rights Society (ARS), New York

    506

    Henri Matisse

    Ongoing

    An exploration of Matisse's career-long path, which he described as "construction past means of color".

  • Ilya Kabakov. Untitled. 1968. Colored pencil and pencil on paper mounted on cardstock, 7 x 9 1/2" (17.8 x 24.1 cm). The Judith Rothschild Foundation Contemporary Drawings Collection Gift. © 2022 Ilya Kabakov

    507

    In Solidarity

    A tribute to Ukraine.

  • 508

    According to the Laws of Chance

    What happens when artists surrender control?

  • Preston Dickinson. Harlem River. before 1928. Oil on canvas, 16 1/8 x 20 1/4" (41 x 51.4 cm). Gift of Abby Aldrich Rockefeller

    509

    New York City, 1920s

    The city creates space for experiments in painting, photography, and more than.

  • Lewis W. Hine. Steamfitter. 1920. Gelatin silver print, 9 1/2 x 7" (24.2 x 17.8 cm). Purchase

    510

    Modernistic Times

    Artists reveal how machines inverse human labor.

  • Frank Lloyd Wright. Clerestory Windows from Avery Coonley Playhouse, Riverside, Illinois. 1912. Clear and colored glass in zinc matrix, Each: 18 5/16 x 34 3/16" (46.5 x 86.8 cm). Joseph H. Heil Fund. © 2017 Frank Lloyd Wright Foundation / Artists Rights Society (ARS), New York

    511

    Ornament and Abstraction

    Architects and designers wait to geometry and the natural world.

  • Joaquín Torres-García. Composition. 1931. Oil on canvas, 36 1/8 x 24" (91.7 x 61 cm), Gift of Larry Aldrich. Photo: Thomas Griesel

    512

    Circle and Square, Joaquin Torres-Garcia and Piet Mondrian

    Abstraction above and below the equator.

  • Camille Bombois. Before Entering the Ring. 1930–35. Oil on canvas, 23 5/8 × 28 3/4" (60 × 73 cm). Abby Aldrich Rockefeller Fund

    513

    The New Spirit in Paris

    Genre-angle experiments inspire new ways of looking and living.

  • Otto Dix. Dr. Mayer-Hermann. 1926. Oil and tempera on wood, 58 3/4 x 39" (149.2 x 99.1 cm). Gift of Philip Johnson. © 2017 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

    514

    Weimar Citizens

    German artists make modern portraits.

  • Claude Monet. Water Lilies. 1914–26. Oil on canvas, three panels, each 6' 6 3/4" × 13' 11 1/4" (200 × 424.8 cm), overall 6' 6 3/4" × 41' 10 3/8" (200 × 1276 cm). Mrs. Simon Guggenheim Fund

    515

    Claude Monet'due south Water Lilies

    Ongoing

    Monet's immersive paintings of his love garden.

  • Frida Kahlo. Self-Portrait with Cropped Hair. 1940. Oil on canvas, 15 3/4 × 11" (40 × 27.9 cm). Gift of Edgar Kaufmann, Jr. © 2019 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F./Artists Rights Society (ARS), New York

    517

    Surrealist Objects

    Surrealists turn to object-making with vigor.

  • Édouard Vuillard. The Window. 1894. Oil on canvas, 14 7/8 x 17 7/8" (37.9 x 45.5 cm). The William S. Paley Collection. © 2022 Artists Rights Society (ARS), New York / ADAGP, Paris

    518

    Intimate Visions

    Ongoing

    Paintings that offer moments of quiet contemplation.

  • Clara Porset. Butaque. c. 1957. Laminated wood and woven wicker, 28 3/4 × 25 13/16 × 33 7/16" (73 × 65.6 × 84.9 cm). Gift of The Modern Women's Fund

    519

    Bauhaus and Beyond

    The experimental school's celebration of art and design endures.

  • Gordon Parks. Fulton Fish Market Hooker, New York. 1943. Gelatin silver print, 17 x 19 13/16" (43.2 x 50.3 cm). Acquired through the generosity of The Friends of Education of The Museum of Modern Art and Committee on Photography Fund. © 2017 Gordon Parks Foundation. Photo: John Wronn

    520

    Picturing America

    Through Jump 2022

    Walker Evans, Dorothea Lange, Gordon Parks, and others document the American experience.

  • Hector Hyppolite. The Congo Queen. By 1946. Enamel, oil, and pencil on cardboard, 20 × 27 5/8" (50.9 × 70.1 cm). Gift of Mr. and Mrs. Walter Bareiss

    521

    Masters of Popular Painting

    Through Fall 2022

    Self-taught artists suggest new pathways for art.

  • Rufino Tamayo. Animals. 1941. Oil on canvas, 30 1/8 × 40" (76.5 × 101.6 cm). Inter-American Fund

    522

    Responding to War

    Ongoing

    In the 1930s, artists effectually the globe respond to the rise of Nazism and other totalitarian regimes.

Leadership contributions to the Annual Exhibition Fund, in support of the Museum's drove and collection exhibitions, are generously provided past Sue and Edgar Wachenheim 3, Jerry I. Speyer and Katherine G. Farley, the Sandra and Tony Tamer Exhibition Fund, The Contemporary Arts Council, Eva and Glenn Dubin, the Kate W. Cassidy Foundation, Alice and Tom Tisch, Mimi Haas, the Noel and Harriette Levine Endowment, The David Rockefeller Quango, the William Randolph Hearst Endowment Fund, the Marella and Giovanni Agnelli Fund for Exhibitions, Anne Dias, Kathy and Richard S. Fuld, Jr., Kenneth C. Griffin, The International Council of The Museum of Mod Art, Marie-Josée and Henry R. Kravis, and Jo Carole and Ronald South. Lauder.

Major contributions to the Annual Exhibition Fund are provided by The Junior Associates of The Museum of Mod Fine art, Emily Rauh Pulitzer, Brett and Daniel Sundheim, the Terra Foundation for American Fine art, Karen and Gary Winnick, and Anna Marie and Robert F. Shapiro.

Licensing

If yous would like to reproduce an paradigm of a work of art in MoMA's collection, or an paradigm of a MoMA publication or archival material (including installation views, checklists, and press releases), delight contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

MoMA licenses archival audio and select out of copyright film clips from our movie drove. At this time, MoMA produced video cannot exist licensed by MoMA/Scala. All requests to license archival audio or out of copyright picture show clips should be addressed to Scala Athenaeum at [e-mail protected]. Motion picture moving-picture show stills cannot be licensed past MoMA/Scala. For admission to movement picture film stills for research purposes, delight contact the Moving-picture show Study Center at [email protected]. For more than data about film loans and our Circulating Film and Video Library, please visit https://www.moma.org/research-and-learning/circulating-moving-picture show.

If you would like to reproduce text from a MoMA publication, delight email [e-mail protected]. If you would similar to publish text from MoMA'due south archival materials, please fill up out this permission class and send to [email protected].

Feedback

This record is a piece of work in progress. If yous have additional information or spotted an error, please send feedback to [email protected].

perezcluall.blogspot.com

Source: https://www.moma.org/calendar/floors/5

Post a Comment for "Best of Museum of Floor 5 Modern Art and Map"